As a hard external case encloses a chrysalis in nature, my metal skeletons support fragile paper. With the hard skeleton, the paper is supported and protected while still exposed. Like most printmakers, I have a profound love of paper and would rather see it exposed rather than behind glass.

I spend summers in my garden, walking the trails of city parks, the beaches, and enjoying the city by foot. The walks are endlessly fascinating, I find all manner of odd natural and discarded, manufactured ephemera. Much of it I only photograph, some of it comes back to the studio with me and dries or decays. The seed heads and pods at the end of the growing season are some of my sustaining influences. All are fragile and fleeting, once again I find the balance of strength and vulnerability. 

When life gets too serious I look for sparks of wonder and light.

Chrysalis Forms, Metal and Paper, Gallery IMA,

Chrysalis Forms, Metal and Paper, Gallery IMA,

Black and white Duo, Metal and Paper, 8 x 11 x 6” and 7 x 8 x 6”

Black and white Duo, Metal and Paper, 8 x 11 x 6” and 7 x 8 x 6”

Tiny Hives, Ongoing project

Bridge 20x8x10”Metal and paper

Chrysalis-Paisley, 2020, Metal and Paper, 10 x 8 x 3” SOLD

Chrysalis Install, each is 4 x 4 x 4’ or a bit lager, Metal and Paper,

Chrysalis Install, each is 4 x 4 x 4’ or a bit lager, Metal and Paper,

Black and White, each is 4 x 4 x 4’ or a bit lager, Metal and Paper,

Black and White, each is 4 x 4 x 4’ or a bit lager, Metal and Paper,

Chrysalis-Dome, Metal and Paper, 12 x 18 x 17”

Chrysalis-Dome, Metal and Paper, 12 x 18 x 17”

Chrysalis Tall, Metal and Paper, 5 x 5 x 19”

Chrysalis Tall, Metal and Paper, 5 x 5 x 19”